Nur

This series explores the word Subhanallah as a sculptural presence rather than a written form.

Rooted in traditional Islamic calligraphy, the works move toward abstraction and monumentality, distilling the word into vertical gestures, tension, and balance. The focus lies not on legibility, but on presence — creating objects that convey reverence, stillness, and elevation through form alone.

Designed for architectural contexts, the series emphasizes scale, gravity, and clarity. Each piece stands as a quiet but powerful statement, bridging spiritual heritage with contemporary sculptural language.